Check out the PSP site.
Check out the Nike Air Zoom Huarache 2K5 commercial.
Check out the Nike Shox VCIV commercial.

This site’s been up for a while and it won a Cannes Cyberlion during the 2004 season, but i’m still posting it because it’s such a great experience. The main objective for this site is that the car is a great driver’s car and also the safest car in its size ever built by Volvo. The sign-off for the whole campaign is Have Fun. On the site you go on a nice trip to the beach, read all about the features and experience almost everything about the car, both inside and out.

It was designed by Forsman & Bodenfors in Sweden.

Check out the site.

[from the New Yorker]

THE NEW PITCH
by KEN AULETTA
Do ads still work?

In the introduction to his 1963 best-seller, “Confessions of an Advertising Man,” David Ogilvy apologized for writing “in the old-fashioned first person singular.” In the intervening decades—the years of, among others, Madonna and Donald Trump—that modest impulse has faded. The inclination now is more toward emphatic self-promotion. Linda Kaplan Thaler, who today enjoys an Ogilvy-like reputation as one of advertising’s creative talents, co-wrote a book on marketing in 2003, and advised her peers, “Don’t worry about whether the news is good or bad. Just get covered. . . . PR breeds PR.”

I thought of Thaler when I began to look into whether advertising, which plays such a large role in the American economy, might be ailing, and how it was being affected by new media and by new technologies. (Last year, more than five hundred billion dollars was spent on advertising and marketing in the United States—half the worldwide total.) Thaler still believes that the old-fashioned advertising model works; and it seems to work for her. Although the industry’s growth has slowed in recent years and profit margins have shrivelled, the Kaplan Thaler Group, which she founded in 1997, has flourished.

Thaler, who is fifty-four, has been around long enough to have seen the business change. In Ogilvy’s day, within a single mile of Madison Avenue one could find America’s—and therefore the world’s—most celebrated ad agencies: Ogilvy Benson & Mather, Young & Rubicam, McCann-Erickson, Grey Advertising, Ted Bates & Company, J. Walter Thompson, Benton & Bowles. Agency people saw one another while dining or drinking at Pavillon, “21,” and other establishments. The business was romanticized and mocked in popular culture, sometimes as a trade where failed poets became embittered copywriters and had too many Martinis along the way. It was portrayed as manipulative, in books like “The Hidden Persuaders”; as ruthless, in movies like “The Hucksters”; and as innocent (or sinister) fun, in the memoirs of some of its practitioners.

The path to profits was once fairly straightforward: clients paid agencies fifteen per cent of each advertising dollar, and most of those dollars went to the three television networks. In 1965, advertisers could reach eighty per cent of their most coveted viewers—those between the ages of eighteen and forty-nine—just by buying time on CBS, NBC, or ABC. “You could put together a media plan in an hour,” Roy Bostock, the former chairman and C.E.O. of the MacManus Group, recalls. “When we introduced Scope, in the mid-sixties, we were able with television advertising in the first four weeks of the ad campaign to reach more than ninety per cent of U.S. television households ten times.”

By the late nineties, some clients began to rebel against paying a flat commission, preferring fees, usually billed by the hour. (Linda Kaplan Thaler says, “I sometimes worry that clients are paying us for the hours we spend working on projects rather than the worth of the ideas.”) And the agencies have long since left Madison Avenue—a street now frequented mostly for its luxury stores—for other parts of Manhattan and the rest of the world. But the name remains a synonym for an industry that bears little resemblance to what it once was.

Read more.

The good ‘ole video/audio mixer brought to you by Old Spice. Music by the X-Ecutioners.

Check out the site.

[from Mediapost]
IN A FIRST OF ITS kind deal for NBC, the peacock network Wednesday night debuted new prime-time comedy “The Office” via a webcast on MySpace.com, a week ahead of its March 29 broadcast TV premiere. MySpace.com is the kind of “social networking” site that NBC’s promo team hopes will generate water cooler talk in advance of the TV debut. Vivi Zigler, senior vice president of marketing and advertising services at the nework’s in-house NBC Agency said it is the first time the network has webcast its content online. A nearly 13-minute clip of the premiere will be available at MySpace today through the end of the month.

As other cable and broadcast networks have relied on large Web portals like America Online and Yahoo! to Webcast their content for promotional purposes, Zigler admitted that MySpace was an unusual choice of venue for NBC. “We specifically wanted to avoid the big portals because that’s been done,” Zigler explained, adding that the network liked the younger composion of MySpace’s audience.

In fact, MySpace has a sizable member base. The site, a subsidiary of Intermix Media, Inc., attracted 8.9 million unique visitors who generated 4.6 billion page views last month, and was the seventh most trafficked Web domain in February, according to comScore Media Metrix. “What was really controversial was previewing it so early before it hit TV,” said Zigler, adding: “‘The Office’ is not your ordinary show, so it’s extra important to let as many people as possible actually experience it, and understand it, and get it.”

At MySpace, users can fashion profiles, blog, instant message, e-mail, download music, create photo galleries, and search classified listings, events, groups, chat rooms, and user forums. Registered MySpace users can join “The Office” group on MySpace to share their own office mishaps through personal profiles, blogs, and other MySpace features.

It’s becoming more common today for cable and broadcast networks to partner with major Web portals to Webcast new shows as a promotional gimmick. A few examples include America Online teaming with Bravo, an NBC-Universal-owned entity, to Webcast “Queer Eye for the Straight Girl,” and before that Warner Bros. previewing its teen drama “Jack & Bobby” on AOL. Showtime and Yahoo! getting together recently to Webcast “Fat Actress” is another example.

“The Office” will air regularly on Tuesdays at 9:30-10 p.m. EST on NBC.